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Fracturing stones with an intense beam of light is easy. In the first tests carried out with sun dishes, most stones shattered almost instantly. It was only after controlling the way the heat was delivered that stones ceased to split on contact with the beam. This allowed a number of more subtle effects to be realized.
Amongst these techniques, there is gem annealing, stone glazing, ceramic creation, food cooking, metal vaporizing, metal welding, metal cutting and many more. These procedures were developed originally over centuries of dish use. As a scientist with clues from the archaeological record and modern texts, they were all developed over the course of a year or two.
These techniques clearly point up the ladder of sun dish skills. Possibly at the top is the ability to cut and write in stone with light. Whilst simple roman numerals have already been written in stone and stones have been fractured, there are finer methods that use control systems.
These controls are nothing more sophisticated than paints or charcoal to protect or help heat particular areas. Light guards to guarantee the direction of the beam. Finally, there are templates that allow patterns to be made without error.
These are currently being developed and tested as time permits. The inspiration comes from the ancient Talmudic texts. They describe both stone cutting and writing in gems with the Shamir. The extract below from The Ancient Solar Premise relates the content from the various sources.
The techniques currently being tested follow two streams. Firstly, gemstones are being coated with a mask of charcoal, paint or ink and the responses of various gems are being tested. Whilst ceramic paints have already been melted onto stone and pottery, this is an alternative way to write in stone. The body of the gem or stone will react differently in places where it is painted.
Gems have already been changed completely or partially with a beam of light. New fundamentals being established are as follows. Will the paint protect the gem color and allow the rest to change. This will lead to an original color under the paint and a faded color around the paint. Alternatively, will the reverse happen? Will the dark paint absorb more light and heat up the gem beneath the paint causing it to change color?
Testing requires the correct paint, ink, charcoal, light intensity, dish size, stone selection, time of exposure, ambient weather and patience.
The second technique involves using light guards to protect areas of the stone and expose other parts. When water is poured onto the heated section of stone, small chunks can presumably be fractured away quite quickly. This is a more sophisticated version of the fracturing already established. It also allows some degree of control over the beam. In principle, very small dishes can be used to deliver very fine work.
There is no doubt the stones will fracture, but there are additional things to discover. New fundamentals being established are as follows. How fast is the process with dishes, how small can the sun dish be, how accurate can the cuts be made, exposure times, water-cooling and which metals will be used?
In the past gold plates seem to have been used. Budgets preclude this option, but modern shiny metals should suffice. The reflective properties prevent too much light being absorbed and the metal will not melt. This process is already being used in laser systems that etch onto stones. Small movable metal plates move whilst the laser remains fixed. As they move, the tip of the beam is directed to a different spot. It is a very successful technique.
Testing requires the right ambient weather, exposure times, rock selection, light guard spacing, template alignment, template distances and of course patience.
Both techniques are outlined in the Talmudic texts summarized below. The techniques are only minor extensions to work already carried out with tools actually found in the archaeological record. This places a device in the hands of the ancient stonemason that:
- Requires no energy or effort apart from the sun
- Requires little if any maintenance
- Works noiselessly as mentioned below
- Cuts through virtually any stone hard or soft
- Delivers the requisite accuracy to inscribe in small gems
- Produces the fine stonework identified in antiquity
- Delivers the huge cuts noted in ancient rocks with large dishes
They also leave the tell tale marks of heat; vitrified surfaces, color changes induced by heat and many more. This page will be updated as the tests are completed.
Extract from The Ancient Solar Premise
Cutting stone might be thought of as rather an extreme application of solar techniques. There would surely be some text support for such an amazing method. Apart from the references from Peru, there are others that have a more surreal quality. The Shamir is a fabled device that is related from both Arab legend and Jewish texts. Its provenance can be traced back to the Exilic Jews, but there is much between it and fact. This is dealt with more fully in the book A Brief History of the Sun Sects. However, a brief summary is instructive.
There are two accounts of the Shamir being used in ways that have a certain resonance with the techniques in this text. Outside of the ideas expressed and tested here, no others even come close to matching this myth with real tools. The Shamir was used to write in stone by Moses during the exilic years and to build the Temple of Solomon.
In the oldest part of the myth, the Shamir was used in preparing stones for the ritual garb of the Tabernacle. In Exodus, it says that the precious stones for the Urim and Tummim were to be engraved with the names of the twelve tribes “like the engravings of a signet”. No ordinary tool was to be used in this sacred work making the cuts in the stones. Scripture required that the stones remain “in their fullness.”
Bezalel and his workers first wrote the names in ink on each of the gemstones (ruby, topaz, smaragd, garnet, sapphire, emerald, zircon, agate, amethyst, beryl, jasper, onyx). Then the shamir performed its work. This etched the names with such skill that not one atom of stone was lost. In some interpretations, the inked stones were shown the Shamir or exposed to its action.
In the more recent part of the tale, the Shamir neatly solves some problems caused by constraints put on the temple building process. The brief mention comes from Kings and notes that David was attempting to build the Temple of Solomon in Jerusalem. The main limit was that no metal tools were to be used: “For the house, while it was in the building, was built of stone made ready at the quarry; and there was neither hammer nor axe nor any tool of iron heard in the house while it was being built.”
The biblical injunction read: “….if you make me an altar of stone, you shall not build it of hewn stones; for if you lift up your tool upon it, you have polluted it.” Iron tools were linked to the sword, which was a weapon of war and death. In contrast, the altar and temple were the symbols of peace and life. Solomon wanted the altar and all the stonework in the temple to be made ready at the quarry without using any metal tool or instrument.
This might be a big constraint, but there also seems to have been neighbor trouble. They were complaining about the noise of the temple construction. This seems unlikely since a ruler would not have to listen to the locals. Whether true or not, the Shamir provided an answer that betrayed another of its properties. At the end of the Arab version, the king summons the Jinns from the Samur Mountains to his aid. They seem to have had many Shamir stones (samurs), which could shape and polish the stone blocks ‘noiselessly’.
These actions have a certain parallel to the sun dish techniques noted. The gemstone changes of colors are related along with results where only parts of the stone were etched. Seven of the gems mentioned were tested and changed quite easily with a small dish. Likewise, the use of paints, inks or charcoal to change parts of stones is outlined. It also strikes a chord with the ink and template methods used to cut granites and other stones. Most of all it is the ability to cut stones silently. What other method of stone cutting is there that can cut stone without noise? This is definitely not the chisel, sander, boulder, power saw or any other tool but light.
Whilst the actions of the tool have a bearing, the physical properties also add some clues. The tool was said to be a worm, about the size of a barley grain and able to cut through anything.
The ‘worm’ description seems to derive from the fact that the tool is not a mineral but living. This defies even the best minds, unless it is simply the point of light at the tip being described. This intense spot of light is not living or dead, but a dynamic tube of intense power. How else would they have described it?
This point of light can be made the size of a barley grain and it will shatter anything, even hard, durable stones. The rocks were said to split of their own accord at the markings, as a fig opens. Indeed stones do split on there own when exposed to the beam as tests have shown. It is suspected that the barley connection arises from the storage box details.
From the Greek works on Solomon, the Shamir is described as a green stone. A dish made of brass or bronze or any non-gold alloy would green with age. The color is seen on many metal museum pieces. Whether this is correct or not, it is the best of a poor set of answers. There are no green stones able to cut through granites and other hard rocks.
Lastly, there is the storage of this fabled object to deal with. The tool was looked after by the Hoopoe-bird. He kept it in a lead box, wrapped in a cloth amongst some barley grains. Only lead could resist the action of the device. This would be a surprise if it were active because lead is easily melted with a dish. The contradiction in being the size of barley grain, but wrapped in a cloth amongst others is clear. For a start, it could get lost in with all the others if it fell out of the cloth. It would also be strange to wrap up something the size of a grain of barley.
If it were a dish, it would be wise to keep it within a sealed box. This prevents the dish becoming dangerous in the presence of the sun. Barley is a quite effective at keeping moisture at bay within a sealed box. This would be wise if the device was made of an alloy since it would degrade quite quickly. The cloth would protect a dish from being bent out of shape in the event the box was dropped.
On balance, it is hard to separate fact from myth as with most history. Some have taken these notions and made radioactive theories, the priests have invoked the powers of gods. As far as the author is aware, the solar tools here are the only ones able to deliver all of the facilities afforded to this device. There is much more of this type of reasoning in A Brief History of the Sun Sects. The tool is put into context alongside the Tabernacle and the needs of the people of Moses. For the moment, this tale is just a sidebar on an eminently useful device that still has a few more things to deliver.
The Ancient Solar Premise makes the case for the extensive use of solar technology by ancient civilizations. There are two strands of evidence, parabolic solar concentrators and heating large black stones. Through two simple devices, it is shown that the successful societies of antiquity were using the sun to underpin their industry, art and science. The solar relics are surprisingly common and are all tied together with the rediscovery of lost techniques that are proving useful today. The implications are explored in some re-framed histories of the important sun cultures.
The focus of this article is the parabolic solar mirrors that are supposed to have existed in antiquity. The majority of comparable proposals fall down primarily because there is no method to make the elusive devices. For centuries, the prevailing view has been that spherical reflectors make poor parabolas, ”The Math behind Burning Mirrors” refutes this completely. With this change of perspective, Christopher Jordan not only shows how they built and used these tools, but also explains many anomalies from the artifacts. These curved mirrors turn out to be the most powerful devices up until the twentieth century with amazing capabilities.
The problem of how to make powerful solar concentrators has plagued historians and scientists from Archimedes’ time to Newton’s. The reasons for this interest are not abstract, but the practical uses of the ideal curve. A perfect parabola will concentrate sunlight almost infinitely, which can be very useful, alas, perfection is impossible to engineer.
A hemisphere is easy to make, but it is thought that it proves a poor parabola. The paper above shows explicitly that if smaller and smaller sections of a sphere are used, the approximation to a parabola increases exponentially. If a twentieth of a hemispherical surface is used, it is accurate to within one percent. If a hundredth of the surface is used, it is near perfect. Depending on the focal length chosen, these dishes can have incredible concentration ratios of hundreds of thousands. See the math paper for the calculations.
The table above is calculated using the sun as a point source. When the size of the sun is taken into account the intensities range from hundreds of kilowatts to hundreds of megawatts per square meter. The math that underpins the idea is indisputable, but it is the physical proof that persuades most people. There is also the matter of whether the ancients had the technology to build such devices. To address these issues, the mirrors have to be made, tested, found in the archaeological record along with explicit evidence of ancient use.
The construction task becomes much easier when only a small spherical section is required. To make a seven-degree spherical arc requires only a pendulum, grinder and patience. This can be combined with a potter’s wheel to speed up the process and guarantee the surface. No one argues that pendulums and potters wheels were unknown in the old world.
With this set up, ancient craftsmen could make mirrors so powerful they could vaporize virtually anything at their maximum power. Beneath the upper limit, there are points where materials can be melted or just warmed. This is the solution to the ‘Burning Mirror Problem’ associated with Archimedes. These dishes have an intense beam focused at a distance equal to half the length of the pendulum. If the pendulum is 10m and the dish is 2m wide, there will be a point of light with just under 2MW/Sqm intensity created at 5m when the dish is pointed at the sun. This is powerful compared to the majority of these weapons, which were shield sized and designed to blind the enemy on the battlefields.
Weaponry is only a small field, in The Ancient Solar Premise, many of the other uses are demonstrated and then placed in their historical context. Some of the methods have been displaced by better ones, but others lost to time still have utility. The roles played in old stonework, fine art, jewelry, science and chemistry are explored in detail.
It becomes clear that many anomalous artifacts can only be explained by these devices. The most compelling are the huge vitrified stones found across the globe. Some experts deny that the finishes are glazes, primarily because they cannot be applied even today. These finishes cannot be created by any method other than an intense beam of light. This is adequate proof to most that the dishes were used in some cultures.
Alternatively, there are the countless references in texts that mention the devices in use. Prior to the rediscovery of the construction method, sun dish descriptions were considered fanciful exaggerations, now they can be fully appreciated. From the Iliad to the Bible, the Vedas to Conquistador accounts, the Greek and Muslim scientific tracts, each clearly describe mirrors in use. Intriguing references to long-range burning mirrors in Muslim papers, the blazing shields of the Greek wars, Incan sun dish competitions and the intense blinding light of Siva poetically attest to these ”divine” tools in key historical settings. Indeed this anecdotal evidence is the root of the persistent rumors of ancient burning mirrors.
Any remaining doubts as to the existence of sun dishes in the old world can be quelled by a museum trip. There are thousands of these devices on display. After creating and using a sun dish, it is obvious that the curve is almost as imperceptible as a shaving mirror. The once active items are cataloged as less interesting oxidized metal objects such as shields, helmets, trays, gongs and ritual garb. However, once the shallow curves are identified, the utility becomes clear. Dishes from the cultures of the Mediterranean, Egypt, Asia, the Americas and Neoliths are all to be found. Links for Ancient Mirrors
The definitive presence of these devices raises other questions about the development and decline of several disciplines and cultures for that matter. Alchemy and the lead to gold transform has left little doubt that these men had a poor grasp of chemistry and lacked the tools for most of the procedures. The more thoughtful look beyond the gold and recognize the origins of chemistry. With these powerful solar devices on hand, the alchemist had the ability not only to create certain materials, but also to readily experiment with others.
The history of ceramics helps illustrates the point. It is believed that ceramics evolved with the evolution of the wood kiln and complex firing techniques. Most stones when placed in a normal fire will not alter their composition in anyway at all, yet this leap in process was made throughout the ancient world. There is no doubt that kilns were eventually used to produce large quantities of potteries. However, Jordan contends that the first experimental work was carried out with these mirrors.
After some ceramists suggested it was impossible to make ceramics with sunlight, the technique was demonstrated at an International Ceramics conference. Despite the production of glazes in minutes as opposed to hours, the historical concept gained little traction. However, it was shown that it is easy for craftsmen to expose a range of materials to very high heats using parabolic dishes.
Recent mirror research followed a similar path to the speculative alchemist. Metals, rocks, gems, bricks and ceramic paints were just left in the beam for a few minutes to see what happened. The solar device was made and techniques were devised to anneal gems, cut stones, fire pottery, produce ceramics, vaporize, cut and smelt metals in less time than it takes to fire up a wood kiln. Even kids today appear to be treading the same path with homemade reflective dishes. This is not beyond the scope of an ancient craftsman, whose normal methods involved elaborate kilns and would mostly result in failure. The inference is that the development of many fields owes a great deal to the use of this solar technology.
Jordan shows techniques that delight artisans and scientists alike, with a tool that is a little cumbersome, but delivers a very high power to cost ratio. Uniquely historians find the knowledge useful in reframing the past. The lost tract ”On Burning Mirrors” has effectively been reconstructed and shows why ancient scholars obsessed over spherical surfaces. Despite doubts over the most famous Burning Mirror of Archimedes used at Syracuse, it is certain that these tools were utilized in the ancient world. Understanding the operation of sun dishes will surely lead to some famous historical texts being rewritten or at least reinterpreted.
Scientists can use dishes to reduce the costs of high temperature research. The solar concentrators have already been used to make unique new types of crystals for photovoltaic cells. It is expected that similar techniques will be developed for industrial production. Meanwhile artisans can recreate those revered finishes of the past. The sun cultures produced some of the finest stonework, it is only fair that artists trying to mimic it should at least have the same power at their fingertips.
In the present age when we are looking for ways to solve our current energy issues, it seems that the ancients can still teach us a thing or two.
Website: Secrets of the sun Sects Blog
With research by Christopher Jordan
Website: Sothic Press
The Ancient Solar Premise is simple, the ancients were originally using the sun, not idolizing it. There are two key devices that support this view, parabolic sun dishes and structures that collected and stored solar energy in large stones. These technologies allowed the ancient world to thrive for centuries with the sustainable energy of the sun. The solar religions followed as the importance of the devices grew and the processes became ritualized. Eventually the solar power was replaced by fossil fuel and the historians were left with the religious view. The exposition along with archaeological and textual support can be found in the ‘The Ancient Solar Premise’
The ease with which sun dishes could be made to concentrate sunlight by thousands of orders is outlined in the paper ‘The Math Behind Burning Mirrors’. This tool had a myriad of uses and explains a variety of ancient relics. The dishes create such high temperatures that they challenge the conventional views on the origins of metallurgy, fine stonework, astronomy and ancient weaponry. Whilst these tools are found in many of the ancient sun cultures, the focus here is the group of solar buildings that stand out as a map of the sun cults.
Sun Temples have many names throughout the world, they are identified by the local solar deity and are variously dedicated to Ra, Siva, Brahma, Baal, Bel, Re, Marduk, etc. Often they are described generically as Wats, Sanctuaries, Shrines or Temples, but each retains the same facets and will be referred to by the functional name ”solar chambers”. The solar chamber is one of the most common legacies from a number of ancient civilizations. Their importance is considered to be ceremonial, however the following summary illustrates that each variant was functionally important to the constructors.
The Solar Chamber
Below is a generic Asiatic ‘shrine’, usually described as a sanctuary. Each of these solar chambers sat on a raised platform and contained a simple dark stone behind two large shiny flanking doors, which pointed towards the sun. This is a surprisingly common building over the continents and eras. The vast majority number in the tens of thousands and sit alone on small platforms or sunny hillsides. There were many thousands more that sat on the renowned stepped pyramids found in cultures all over the globe.
The diagram shows the classic Brahman design with a yoni and linga (D) sitting in the center of the sealed chamber with two reflective doors flanking the long doorway. Around the chamber are alternative dark stone absorbers found in other styles of solar chamber. Sometimes just a plinth or altar stone (B) is found within the chamber. In these cases, the chamber height is reduced along with the doors and doorway. Often there were just obelisks or pillars sitting atop of truncated pyramidal plinths (C). This design was sometimes reduced further to just the pyramidal stone (A) and an appropriate chamber.
The chambers were made from local materials and dealt with the regional weather. In cool climates, the chambers generally had much thicker walls. In the most primitive cases, the stones were held deep within structures piled high with earth. In rainy climates, the buildings had suitable protective roofing. In hot dry locales, where rain was not an issue, the altar stones could be left exposed to the elements without even a cursory housing. Brick, stone, wood or mud chambers can be identified throughout the ages along with combinations of them. Each acted as an insulator, able to retain the solar heat within the chamber overnight or longer.
The reflective doors have usually long since been destroyed, but the original substantial housings for the hinges can still be seen. The modern copies of these structures retain the metal casing for the doors and shiny metals are still used. Gold paint has typically replaced the original metal, but the design is still there in essence. The ancient metals used follow the development of metallurgy throughout the ages. In the Americas, there are reports from the conquistadors of brilliant gold doors on the sanctuaries shining in the morning sun. In Africa and Asia, brass/bronze seems to have been a common metal along with silver and gold leaf. Even tin appears to have been used, though maintenance did not make it a popular choice. The skins of the doors were covered in whichever metal was commonly found in the mirrors of the specific culture.
Without exception, these structures were dedicated to the respective solar deities and faced the point where the stone gained maximum solar exposure. In the tropics, this was achieved by pointing a single doorway to either the rising or setting sun. Often the six monthly monsoonal rains fell like clockwork in the afternoon, so there was little point having a door facing west. Sophisticated re-alignments took into account the monsoon patterns and adjusted the direction toward a point just off due east. This optimized the chambers for solar energy collection, since there was no point trying to absorb sunlight through clouds and rain.
More commonly, there were two doorways, one pointed east and one west. These provided more chances to collect sunlight in the morning and afternoon. This style was invariably aligned due east to west. Weather permitting, it allowed for more sunlight to be absorbed than the single door version.
Solar chambers further from the equator had southern and northern doorways added that gained solar energy from the low midday sun in the summer/winter. Again, the chambers were aligned east to west and had one door pointing to each direction of the compass. In the far north, the extreme cases had eight, sixteen or thirty-two doors. This is a controversial aspect of the basic solar premise, which rests much better under the Grand Ancient Solar Hypothesis.
Detailed calculations confirmed by experiment, show that a single solar chamber can collect and return up to a hundred kilowatts of energy a day. There is a useful range of temperatures delivered by the system, which depended on the needs of the users. This relatively low cost clean energy provided a survival advantage to the ancient sun cults beyond that of the fossil fuel cultures.
Sun Chamber Uses
To use the solar chambers the operators just opened the doors when the sun was in front of them. At all other times the doors were tightly closed. The direct and reflected light heated up the stone to temperatures able to cook food, boil water and dry crops. The initiation of a chamber stone could take days because they were large, but this added resilience with a useful heat repository. When the chamber doors were shut, the temperature rose to something close to that of the central stone. With this simple operation, the ancients were able to carry out the following tasks.
- Fry Eggs, the eggs were cracked and left on the hot stone surface.
- Sere Meats, the flesh was tossed on the surface of the hot altar stone.
- Boil Water, the water was poured onto the obelisk, then warmed to boiling point as it ran down and flowed out of the spout on the base.
- Cook Rice & Soups, the boiled water was collected in rice pots and then left inside the chamber slowly cooking the produce.
- Dry Crops, the produce was left around and above the central stone until it dried.
- Bake Breads, the dough was left on racks of trays in the hot chamber
In many of the oldest cases, it is difficult to know exactly which function an individual chamber was assigned. However, in recent examples, much of the practical paraphernalia has been found and texts allude to various utile items. The picture of a novice priest pouring water onto a yoni linga combination is the most common Asiatic use. Boiled water is important for health or cooking and requires large quantities of fuel to produce. Brahman shrines often had water in sacs suspended above the heated stone, which dropped onto the stone where it was funneled to collection pots.
The same chamber could be used to dry crops or cook bread when racks were placed above and around the stone. Most of the time the sanctuaries were allotted a single foodstuff since it is not so wise to mix meat and fish for example. There is a great deal of archaeological evidence in The Ancient Solar Premise that fully supports this idea. However, it is only the tip of the iceberg, since there are many more cultures to review under this scheme.
The design turns out to be one of the most efficient ways to collect and store solar energy given the constraints of antiquity. Indeed an abridged version of the ancient solar cooker is finding uses today in poor rural communities throughout Asia. The robustness, low cost, high-energy returns and storage that made this solar chamber popular in antiquity are proving just as useful today.
The Widespread Use of Solar Chambers
The variety of solar chambers across ancient civilizations falls under the wider model. However, a few brief examples should illustrate the prevalence of solar technology in the ancient world. (The letters indicate the style of stone absorber used from the diagram above.)
- A Brahman shrine held the classic black yoni and linga stone design within the sanctuary (D). Later the Hindus changed the stone color to white in order to cool the chambers down so they could make merit within them.
- A Vedic shrine/sanctuary sometimes contained the flat altar, pillar or both combined (D, B). Small altar versions were used in the home, whilst larger ones were built for communities. Ancient Vedic texts refer to the complex formulas they needed to calculate the right sized stones.
- A classic temple of Ra/Re held a dark pillar on top of a truncated pyramid. Sometimes it just contained the pyramidal stone form (benben stone), but was still a temple of Ra (C, A). Like the Brahma, the Egyptian priests poured liquids onto the shorter hot pyramidal stones and collected it in alabaster pots.
- A Temple sanctuary of Marduk in Babylon held the simple flat altar stone (B). These grand temples, like the Temples of Ra, often housed huge storage chambers for the processed foodstuffs.
- In the Americas, the same flat altar stone combo describes a sanctuary or shrine of Itni (B). In Peru, stones are still found that are identical to the Brahman stones despite the Spanish efforts to destroy them all (D).
- Going back in time, a similar but simpler construct is found in primitive Neolithic ‘shrines’. Here the sanctuary was lower but extended, usually piled with earth and the flat altar stone sat at the back (B). It is often unclear who the god was, but usually it was Baal, Bel or some other ancient sun god. The use in the colder climates was primarily, but not exclusively, to aid in domestic heating.
- Ancient Asian Pagodas were made of wood on several tiers and housed a dark obelisk or altar at the ground level (B, D). The venting above, clearly made these structures useful in drying crops. This adjustment to the normal sealed chambers was found in many farming communities where solar drying was used.
There are many more examples…
The outline above is a gross oversimplification of the Ancient Solar Hypothesis. The details of the materials, geometry, energies and textual support for the uses can be found in The Ancient Solar Premise‘. There is much more compelling evidence in the finer aspects of the solar premise. Some may debate individual details, but when people see and feel these buildings working as intended, arguments evaporate as fast as water on an overheated plinth.
When these simple temples clearly have their origins in a functional role, questions are raised about the nature of cultural development. The emphasis switches from people building ”shrines” for worship, to citizens turning to the sun for its utility. The rise of religions and the reassignment of the structures to ceremonial roles is a lengthy field of research. The impact this had on the routines and running of a culture are curious. Many of these strands are explored in the book, though it is impossible to contemplate them all.
The result is a reframing of much that is believed about the ancient world, in both technological and cultural terms. The religious and symbolic fancies that followed the useful functions of the sun devices can be put into perspective. Maybe historians can dwell on the utility and foresight of the ancients rather than assigning them a mind set more akin to 17th century academics. Ultimately, the aim is to inspire people to take a leaf out of the ancient’s manual for living and turn fully to the tenets of sustainable energy. This really would be a great gift from antiquity.
The Grand Ancient Solar Hypothesis
Further to the basic concept above, there is the extension to the Grand Ancient Solar Hypothesis. This scheme shows how hundreds if not thousands of these structures were arranged in discrete areas to create the great solar industries of antiquity. There is no other way to describe the ancient pyramidal processing centers that dealt with thousands of tons of crops and foodstuffs every year. The way the ancients laid out the chambers leaves one in no doubt as to their goals. This is a precedent that the modern industrial machine would do well to follow.
The temporal and geographic extents to which these principles were used adds further grand dimensions. The simplest styles underpinned the Neolithic cultures within the barrows containing altar stones. Whereas the grand stone circles, possess such an exquisite form of the geometry that one has to feel it working in cooler climes to believe it. This pushes the premise so far back in time that it underpins the emergence of civilized man. The use of solar energy on a grand scale runs through the civilizations of Babylon and Egypt, dips with the Greeks and Romans and then emerges in its full glory within the Angkorian and Aztec cultures. This is such an incredible run that it makes us moderns look like smoke addicted fools.
The existence of the small and large structures on all but one continent leave no doubt as to the nature of the successful cultures, they were solar powered. The basic rules above were applied on such a scale that it is no surprise that the concept has been overlooked by scholars. Some of the grandest structural legacies of antiquity were not the result of egotism or religious zeal, they were industrial expressions of the solar premise. Many of these iconic constructs are touched on in The Ancient Solar Premise, but it is certain more will fall under solar umbrella as the theory is tested with reconstructed sites, tools and techniques.